Airport Security

George's More Than A  Pet Peeve.. But A Major Psychotic Episode

This is to clarify that the content of the video is entirely for comedic purposes. I wouldn't do anything he suggests in the clip. It's just a Joke! And, if this is George Carlin's own insight and unique perspective, I wouldn't know anything about it, because I never met the man.

George Carlin was very funny.

His humour can be cutting. Sometimes extremely, because often, he takes it to the very edge.

Some would say, terrorism is no laughing matter. Lots of innocent people have been killed and maimed by creatures that have no love, empathy, pity or consideration for humanity. 

Their aim is to get governments to clamp down further on our freedoms, helping to feed on paranoia, with our consent.

Governments all over the globe are fighting the terrorists. There is vast support for everything the authorities are doing to detect, arrest and neutralise terrorists, but we must also do our bit. For instance, we can consciously decide to keep our eyes and ears open more than ever before. 

The government's main job, (in my humble opinion) is  to identify the sponsors, the sources of funding and the arms suppliers than keep terrorism in business.

The rest of us, should stay alert and observant. 

We should all be aware of what is happening around us at all times because those days when we went about our daily business, blissfully unaware of what is going on around us, are over.

MusicArtinDesign

It can be perplexing and worrisome to see people engrossed on mobile devices in public. Many seem so unaware because they are usually caught up in their own private virtual universe to the exclusion of everything else that's going on around them. 

We are responsible for our own personal safety, more than the security people who are in charge of keeping a professional eye out and apprehending those who are out to cause chaos and mayhem. 

If we refuse to be terrorised, if we refuse to allow terrorism to change our way of life, the way we interact with one another, keeping an eye out for danger, all these extraordinary and tighter security will be totally unnecessary. We will also be giving a strong message to the sinister forces, that their actions will not impact negatively on our freedom.

George's complaint is about overzealous security whose approach can sometimes rub citizens up the wrong way at the airports. 

A negative approach can give the wrong impression and  a whole lot of satisfaction to the terrorists, that their terrorism is in some ways, curbing our cherished freedoms.

His answers to the three big questions are funny and will probably get him arrested at most airports. 

At best, he wouldn't get to travel on the day, even if the airport security guys have a sense of humour.

We shouldn't really be afraid, instead, we should be alert to keep a keen eye out for anything that looks out of the ordinary at the airport and other public places. 

Refusing to be intimidated by terrorists, is one way to turn the tables, and make them to be afraid of us.

History has proven that the human spirit is indomitably unconquerable. So walk proudly with your head held high. There is nothing to fear but the fear itself!


Bodederek

Afro-beat. What Next? Part 2

Fela Bandwagon contd...

The world is watching and waiting for hits that will enhance and give the afro-beat genre a stronger foothold, keep it interesting until it gets passed on to the next generation. It's what Fela Kuti would have wanted. 

I mentioned JK Brimah because Fela Kuti's personal and musical development wouldn't have been complete without the influence of JK. (A chapter is dedicated to JK in Fela's autobiography "This Bitch of A Life" written by Carlos Moore), the story is even more interesting when JK tells it. It annoys me that today's practitioners see JK (who is still alive and well) as an irrelevance, only good in their eyes when they want their undeserved validation.

JK at a Party

Other individuals who supported and encouraged Fela's musicality but today are given no credit, (especially during the years of strife and turmoil), were individuals like Tunde Kuboye, who ran The Jazz Club of Nigeria, promoted African and Jazz music at the Museum Kitchen every Friday evening, and organised an African Music Festival once a year. His late wife Frances, Fela's cousin, a dentist by profession. A lady who could easily have made it as a professional singer, if she'd decided to leave Nigeria and settle anywhere in the western world. Some others were Fela's contemporaries who played Jazz at the floating Buka on the Marina in Lagos, guys like my ex-boss at Japan Petroleum, Femi Asekun (Skipper), his friend Femi Adeniyi-Williams and uncle Art Alade. These were the people Fela would rush to jam with, whenever he could break away from the madness at Kalakuta.

Fela developed Afro-beat because he wouldn't have been able to make a living playing jazz. Not in Nigeria anyway. So he developed his genre, using a core of local musicians like Tony Allen, the amazing drummer, Henry Kofi (Pedido), Igo Chiko and a couple more talented instrumentalist, who remained a constant part of the Nigeria 70 band, later to become the Africa 70. The commercial music played by the band during those heady days, has stood the test of time. The compositions were unsurprisingly popular and accepted by everyone because of the satire and social commentary in those compositions. Songs like "Na Fight", "No Bread", "JJD", "Buy Africa", "Don't Gag Me", "Lady", "Shakara", "Yellow Fever" etc., amused and entertained, but didn't stray into the political minefield that would bring the wrath of military governments down on Fela's head in the later years.

Fela Album Cover

What I'm trying to say here is, even when Afro-beat went political, there was always a theme to the compositions. A message that made every song unique and identifiable to the listener. That element is missing within the genre today. The message and point to Afro-beat as a sound, is in danger of being swallowed up and lost forever, if the diluted and watered down modern compositions continue. After all is said and done, what would be the point of it all?

S.T.B. and J.J.D.

I think Fela would have wanted Afro-beat to grow as a satirical vehicle for social commentary, more than he would have wanted to be regarded as an icon. He was after all a man like anyone else and not the caricature two dimensional image that is being planted unto the public consciousness today. It would be better if practitioners of Afro-beat drop the hype and get back to basics, there is plenty more work to do because that man, Fela was a tough act to follow when he was alive. It makes it even tougher, that he is now regarded a legend and an icon.

Tony Allen and I

I would urge any artist interested in venturing into afro-beat, to disregard what is presented at the moment. Ignore the half baked presentation of cover songs that could never compare to the original songs. Study the philosophy behind Fela's tunes and if possible, imprint their own personality into their compositions. This would be the ideal way to excel at making a great and unique afro-beat standard. In short, being original is the most important thing, and believe me, the genre needs this, more than anything else.

...More later


'Bodederek


Interesting blog at www.MusicArtinDesign.co.uk tomorrow!

Cruising With An African Queen!

Nigerian Celebrity and Star!

I was in Royal company last Saturday night. In the same car as Salawa Abeni on her way to a gig!

 Queen Salawa Abeni

Queen Salawa permitted me to ride in her car after making sure I was aware of Yoruba traditions and protocols. She was very gracious indeed.

So, there I was, cruising down the North Circular road, shoulder to shoulder with a Celebrity Singer. A Child Star and now a Queen. I felt privileged and lucky that I happened in the right place at the right time, not only to meet a woman of immense talent and culture, but to be actually in the same car with an actual African Queen.

Queen Salawa Abeni was kind, dignified and courteous throughout the journey. I was pleasantly surprised that we had a lot in common. My love of music and African culture has made me aware of Salawa's career from when she was a little girl and a star on the Nigerian music scene so many years ago.

A massive star in Nigeria, she has entertained fans worldwide. Has performed for the rich and powerful both in Nigeria and abroad. Her powerful voice and vocal range is quite impressive, tailor made for her repertoire.

She will be performing with the Yoruba Women's Choir next month at London's South-Bank Centre.


'Bodederek


www.MusicArtinDesign.co.uk

The Flaming Flamingoes!

Stories are all works of fiction. Names, characters, place and events are the product of the author's imagination. Any resemblance to actual persons, living or dead, events and places is totally coincidental

They were kicking us good and proper. The fouls came at us relentlessly. Every time we were a goal up, it got worse and I got worried. The only one amongst us not particularly intimidated by this was Sol the centre half who gave back as good as he got. It only made things worse for the rest of us.

I was looking for worthy opponents to play against whilst we were waiting for the crucial match against Monarchs. Someone suggested we go play sets as a unit and told us about a particular part of town where we could drop in to, wait our turn and then see how long we last out there. Stupidly, without checking it out first, I took us there. Now, hindsight as they say, is twenty twenty vision, I was wishing we weren't here. Sooner or later, someone is going to get hurt and I had a feeling it would not be any of the guys we were playing against.

We'd easily knocked out two previous teams within twelve minutes of arriving and were beginning to get cocky and complacent. You see, the way sets work is this and these are just the basic ground rules as I understood. The first people to arrive will divide into two teams or a team will arrive and the people at the ground who want to play will put a team together to play the away side. Usually, as better players arrive at their home ground, they will replace the weaker players and gradually get stronger. A team gets knocked out and another one replaces them if they concede by more than two clear goals, another team then replaces them, usually, the new team ends up being a mish-mash of the previous guys and the latest  arrivals, who are usually the most skillful players. Others are just big scary fellows who nobody can dare not pick. 

Knocking out the previous teams in under twelve minutes seemed like a record of some sort and before long the pitch was surrounded by spectators cheering both sides. Word had spread and the better players emerged and were quickly absorbed into the opposition. At the same time that they were getting stronger, we were beginning to tire. The third team we played went down 1-3 to us, it took us over forty minutes and loads of pain to beat them, we took a rest while the next team organised themselves. 

I was already trying to figure out an exit strategy from the middle part of the last match after eavesdropping on the people behind my goalposts, the overall vibe was changing and the situation started to become tense. Somebody was taking bets on the game and the news filtered through to me somehow. This jackass had obviously decided to be an enterprising bookmaker, he had now become a smart ass, I could now hear him selling his bets.

My team mates during this break were excited, they hadn't experienced this level of attention before and when I dropped a hint about wrapping it all up so we could get out of there, I was quickly overruled. I didn't tell them about the gambling. Someone is bound to bet against us, and if we win they wouldn't be very happy about losing their money which may result in complications. Always an optimist, I kept my concerns to myself and we went back on.

The lads we were facing knew each other and it quickly became obvious they were the best players around, they also seemed much bigger than us. They quickly scored against us with a blatant offside nobody noticed happened, least of all, the scared looking referee. The section of the grounds that cheered the goal the most, had in their midst, some of the scariest looking people you could ever meet. I didn't object to the offside goal, in fact I was a little relieved it was allowed. Etemeke my fleet footed friend was targeted and chopped mercilessly several times by this other guy who didn't like the way the crowd cheered whenever a dribble or some skillful move made him look clumsy. He was a big guy and the "who you looking at?" look he was giving the referee made the man not even look in his direction.

Despite all his troubles, Etemeke had to go and score, levelling the game. The goal was exceptional, it was greeted by hand claps by those who see real art in soccer. Despite my misgivings about scoring, I couldn't help clapping from between the sticks. Cheers and smiles from our new fans, scowls of anger from the gangsters. They were gangsters, one came up behind me as I was clapping and slapped the back of my head hard, I turned just in time to see him disappear back into the crowd. Mr "who you looking at?" looked like he was half instructing and half threatening the referee. Obviously a local man, the ref really looked stressed and defeated. We were on our own.

They were now openly committing fouls on us with impunity. I got an elbow in the face while punching out a ball. The next time the guy ran toward me with the ball, I used the heel of my boots to scrape his shinbones from the knees all the way to his ankles, he screamed, I played dumb but it didn't work. The ref gave them a penalty to appease them, they scored and went back into the lead. By now, things were getting so rowdy we all wanted it over, at the same time we knew it was too dangerous to leave as winners because the gangsters had money to collect if we lost, so winning the game was out of the question.

The cross came, floating as if in slow motion. I made a grab for it about a yard outside the keeper's box, landed firmly on the balls of both feet and waited as the players dispersed themselves back into the field of play, waiting for the customary kick out. With the ball at the end of my outstretched arms, I swivelled around and volleyed the ball straight between my goalposts. You could have heard a pin drop, every jaw hit the floor. Then, pandemonium!


You Have to Wait for the Next One!!!


Later friends,

'Bodederek

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